mOss circle - Margot Day & Kurtis Knight
With original songs, and much merriment, the mOss circle journey began in 2009 in our Cave here in the NE Kingdom of Vermont 2009-2010.
Moss Circle - with Margot Day and Kurtis Knight a Craftsbury Vermont Music project
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Seven Days By Dan Bolles [11.24.10] "Was the world clamoring for a soundtrack to Magic: The Gathering, or maybe live-action role-playing (larp) tournaments, and the rest of us somehow missed the memo? Well, grab your cloak, long staff and 12-sided die, and prepare thyself for local fantasy-rock outfit mOss circle. Led by veteran seer/songwriter Margot Day, the Northeast Kingdom-based sextetâs self-titled debut comprises an epic tale indeed, one fraught with peril, curiosities and, um, dragons. And rock-and-roll flute. The journey down the hobbit hole begins with âSmoke & Mirrors.â Those expecting impish lute music or fey medieval folk are in for a rude awakening. Itâs difficult to gauge an exact point of reference for much of mOss circleâs material. But if forced to do so at, say, crossbow point, the song exudes an early-hard-rock edge recalling Jethro Tull, while Day is presented as a latter-day ... incarnation of Heartâs Nancy Wilson. Or perhaps Blondieâs Debbie Harry.Lyrically, the song plays out something like a game of Dungeons & Dragons. âBeauty is my master,â sings Day ruefully, then is met by the bandâs elfin refrain, âAnd I am her slave.â âThe fire dragon,â Day intones. âAnd his prey,â comes the response. The Tull influence is more overt on the following track, âA Lifetime in a Day,â which features Dayâs flute mirroring Cyris Bridwellâs attacking lead guitar before breaking free on a fluttering solo. âRide the Dragonâ is a scorcher, and most representative of mOss circleâs overall ethos. Following a driving hard-rock verse fueled by Dayâs âstory of fire and glory,â Bridwell spins a wicked yarn in which a dragon annihilates an unsuspecting village. Heâs like Tolkien crossed with a computer hacker. His impassioned spoken delivery is oddly gripping â and impossibly dorky.And that kind of sums up mOss circleâs debut in a nutshell. As far as fantasy-rock goes, the band presents a lovingly crafted and mostly well-executed take on the genre... And gazing into the wizardâs glass, the prophecy here is that the audience will cling to them ..
".. she was the trendsetter that others emulated and a whole new generation will come to know Day in the latest incarnation of mOss". Mike Ventarola. "Epic Tale..gazing into the wizardâs glass, the prophecy here is that the audience will cling to them " 7Days. "mOss gives a good show in its visuals as well as with its sounds, with a definite appeal to a generation familiar with the magical mythologies of Tolkien's Lord of the Rings and even Harry Potter". Hardwick Gazette
Moss Circle was one of Margot Day's Vermont-based music projects, rooted in the creative community of Craftsbury, Vermont. Kurtis Knight was an important part of the project and brought a strong musical presence to the band's sound. Her creative work has long been connected to Vermont, New York City, and the goth, alternative music scenes.
For decades, Margot has been part of the fabric of Northern Vermont life. Alongside her family, she has worked to steward land, protect natural resources, support local projects, and contribute to the community she calls home. Her connection to the region extends beyond property ownership to a lifelong commitment to the landscape, wildlife, and rural traditions that make Vermont unique.
RECORDS OF THE YEAR: mOss circle (promo EP) Mick Mercer "...I have no idea why they spell it mOss circle, unless it is written that once there was a mighty moss circle from which plentiful fauns did multiply, like a maths class au naturel, but I can say that Margot Day (The Plague fans will be delighted) is involved. The album comes later this year.. mOss circle Album: Mick Mercer âSmoke & Mirrorsâ has quite a post-punk toughness about it but thereâs a quaintly inviting chorus, as punch and caress combine with Margot Day in fine throaty form which at times reminds me a little of Guesch Patti, always a good thing. âA Lifetime In A Dayâ has a purry, punky slither about it, and the organic recording really has you feeling youâre sandwiched into a studio with them. âLonely Peacockâ sounds like a folky appropriation of Hendrix, or a relative of Curved Air and with male vocals featuring in âChalice Wellâ they slip sideways into historical rock, loose guitar slipping behind capering singing.âLupinesâ is more dramatic, high vocals wan and relaxed, ridiculously catchy, with âCarni Babiesâ pitching bass and flute into an understandably fruity mix. Then itâs back to an early New Wave clamour for âRide The Dragonâ with scruffily spirited guitar and clattery drums. Itâs swiftly back to a plaintive, earthy âNot Goodbyeâ, the angel-based âNo Place For Loveâ is another curious amalgam as they cross genres and eras, somehow fusing the spirit of Blondie and Fleetwood Mac with a well appointed vocal roving through the mottled, mellow rocky undertow.âRory To The Hillsâ threatens to be some trad folk but it lopes off with jaw jutting punky finesse interspersed among the dreamier elements. Iâm not sure why, as it would have worked either way, but clearly merging styles is their thing. âMarch On Spotted Salamandersâ is another curiously sprawled dark punky item, âSomedayâ a lighter pop oddity and âTween Worldsâ sees us out, flute fluttering in mildly rock probing and shuffling with lyrics tying up previous threads, then into the secret extra track which is deliciously light twittery pop fun with the best vocal performance of the lot.
" .. mystical vibe appropriate to their name is apparent" Times Argus
Margot Day - Voice, Flute. Kurtis Knight - Keyboards. William Bridwell - Bard, Vocals, Melodica. Kulom - Bass. Cyrus Bridwell - Guitar. Dov Michael Schiller - Drums.
Margot Day & Kurtis Knight and their tiny mascot Melody in Vermont
The forests of Craftsbury Vermont have been both sanctuary and inspiration for Margot for many years. Together, Margot and Kurtis have cared for woodlands, wildlife habitat, and natural spaces while remaining deeply connected to the rhythms of the seasons and the landscape around them.